Special Projects

Is social media ruining the vibes of your favorite LA eats?

Angelenos like me fear strangers stampeding into our communities with some voyeuristic claim on our spaces.

Latest in Special Projects
A tiered platter of seafood on ice, accompanied by lemons and chips, obscures Hanna Raskin, the author.
The Food Section’s origin story: Pushing for more thoughtful food journalism

Regardless of reason, uncritical food writing shores up existing power structures, and fails to serve the consumers and workers who stand to be hurt by them.

A flat lay of food. Napkins read "The Diplomat," the name of a now-closed Sacramento steakhouse. Among the platters are a dessert, lobster, oysters, and a tomahawk steak. Four diners' hands are visible in the photo. Two diners are holding glasses of wine, red and rosé specifically.
Food reporting should go beyond buzzwords

Food reporters shouldn't just write about what's on their plate — they need to interrogate how it got there.

A photo of eggshells.
What is the Food Media Reckoning?

Reporting, essays, and criticism about the holes that still exist in food media — and what its future could look like when we look to its past. 

Jenny Dorsey, an Asian woman, sits cross-legged on the counter of an empty kitchen and smiles.
Q&A: Jenny Dorsey of Studio ATAO

A conversation about tokenism in food media, the importance of disrupting it, and what food media might look like in the future.

The author, Izzy Johnson, leans their head on their hand, looking at the camera with a neutral expression. They have an afro and are wearing a strawberry necklace, a short-sleeve rainbow patchwork square button-up and a pale green shirt.
I was a millennial diversity hire

How people of color in food media are still disposable, even in 2023.

A headshot of Bolts editor Daniel Nichanian.
Q&A: Daniel Nichanian on the nuts and Bolts of local democracy coverage for a national audience

Daniel Nichanian, the founder and editor-in-chief of Bolts, on why he’s “making a bet” on building new audiences for state and local democracy reporting.

Meet our new Democracy Correspondents!

The Objective is bringing on two Democracy Correspondents: Uyiosa Elegon and Jacob Gardenswartz. 

A white letter O centered on an orange background.
The Objective will hire a Democracy Correspondent
A photo of the Texas state line sign, sitting in the middle of shrubbery and desert.
The collapse of the Texas Observer